anesta iwan
 
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CHÚ

a simple + comfortable AIR FILTER that fits in your nose

 
 

Given that air pollution causes about 11.2% of all deaths per year or 6.5 million deaths (split roughly 50/50 between indoor and outdoor air pollution). According to the EPA's Air Quality Index, Beijing alone suffers at the 'unhealthy' level for at least 80% of the year. CHÚcan help.

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THE ISSUE

The typical face mask does not filter out a lot of the harmful particulates that exist in cooking fumes and smog. The unsealed condition between the face and the mask also contributes to the issue. 

 
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DESIGN

We went through three phases in the design of the CHÚ: (1) form, (2) material, and (3) simplicity. The first designs focus on how the CHÚ fits on the head/face. In the second round, we experimented with different materials ranging in rigidness and flexibility to allow for ease of wear. We then optimized the design in both form and material to come to a simple final prototype.

The CHÚ consists of two main components: (1) tusks and (2) filter. The filter filament is housed in a cartridge that also serves as the link between the two tusks. Air is then delivered through the tusks and into the nostril. We have incorporated a silicone seal at the tips to seal and accommodate different sized nostrils. 

 
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the fit

Sizing and flexibility is key for CHÚ to fit properly on the head/ face. The aft filter allows for the tusks to flex for different head sizes and eases the process of donning and doffing the CHÚ. The soft silicone tips allow for a tight fit/seal in nostrils of different sizes. When idle, CHÚ can be draped around the neck and remain as an accessory.


breathing CHÚ 

The air intake, located at the back of the CHÚ, allows atmospheric air to enter into a series of torturous path filters and continue through the tusks directly into the nostrils. Silicone gel ring seals the perimeter space between the nostril and the CHÚ, preventing unfiltered air from entering the nose directly. Exhaled air exits the CHÚ nostril opening and purges through the one-way gill valves. The filter can be “tuned” to various geographic locations based on local pollutant types and levels.

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subscribe to CHÚ

The business of CHÚ is through the subscription model. The CHÚ device can be registered upon purchase, which would allow the makers of CHÚ to curate the right CHÚ filter for your unique experience. We would recommend when new filters should be ordered and provide travel packages geared toward your destinations. 

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CHÚ


CHÚ was produced in collaboration with Kathrine Spies as part of the Masters in Design Engineering Collaborative Studio at harvard gsd and seas.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
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27 steps

a journey through nelson Mandela’s 27 years at Robben Island

 
 

The peaceful march to protest the war on Iraq on Market Street is a moment etched in our memory. Similar stories of the Vietnam War were narrated to us. A first hand experience demonstrate to us the power of a voice of a city. Market Street has always been the venue to voice, to protest, to celebrate, to walk for peace. The Market Street fair offers such a opportunity again, not for a protest, but for a walk for peace in a celebratory environment. 

Our proposal titled “27 Steps” is a walk for Mandela – a walk for peace. The pavilion is a walk of twenty seven steps. Two pyramids open the gateway to this path. The void stands for how Mandela inverted the political pyramid by cultivating a culture of forgiveness. By night, it becomes a lantern of hope to commemorate the Purple Rain Protest against apartheid in 1989, just months before Mandela was released from prison. 

This is a pilgrimage for all, however the roots of the message starts here in our unique city San Francisco, a place we call home.


 
27steps

Fabrication Components

Stainless-steel rods

Custom steel connection

Woven fishing line

Interactive Components

LED lights w/ motion sensor

Sound clips build-up with every step

Public Engagement

digital counter w/ motion sensor

live online database to display count


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253,665 Steps

As part of a traveling pavilion, can an art piece be utilized to measure the interactions of a space? Market Street, the central corridor of San Francisco, varies in its use throughout the day and week. Users ranging from morning commuters, curious tourists, and leisure passerbys, roam the street at different densities and patterns. For the prototyping festival, the first urban metric is density. We set up a motion sensor as well as a time-lapse camera to document these movements. 

 
 
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Traveling Pavilion

Just as Nelson Mandela had traveled the world in pursuit of spreading peace, one of the goals for this pavilion was to also have it travel throughout a 12-month period. Beginning at the Palace of Fine Arts (where we had first assembled it), the pavilion traveled and was exhibited at a number of locations across downtown San Francisco before returning to the Palace of Fine Arts for a final exhibit.

 
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An Exhibit

We were invited to exhibit the 27 Steps Concept Board as part of the California College of the Arts Alumni Exhibit in November 2016. For this exhibit, there is an addition of three speakers through which three different voices of different ages narrate each evolution of the project: (1) Memorial, (2) Pavilion, and (3) Shelter.

 
 

27 steps was done in collaboration with Nish Kothari (co-director)

team: will giovacchini, grant ryan, gabriel larsen santos, craig stiles, kevin ju, steve pepple, stephanie geerlinger, aurelia freidland, adonis gaitatzis, and the innovation hangar team.

 

 
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OMNI | INDI

AN INTEGRATED AND PATIENT-OWNED HEALTH DATA FUTURE

 
 

The U.S. healthcare system is massive, populated with many constituents from all angles, while leaving the patient as a passive subject. Many people whom we had surveyed and interviewed have expressed the issue around non-integrated system for their healthcare data. Part of the issue lies with HIPAA - mandating that all healthcare data should be owned by the healthcare provider, while allowing the patients to request a copy for their use. This leaves many of us with scattered health data which may lead to high amounts of wasted administrative efforts and patients' time as well as increased misdiagnosis and unnecessary treatments.

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THE INTERFACE

Below are in-progress designs for how we may begin to integrate the different data and put them in the hands of the patient. The goal here is to streamline the process of retrieving all of the patient's data, but also to encourage patients to add more frequent day-to-day data to increase the robustness of their data in addition to annual check-ups. The platform also offers a data marketplace on which patients may choose to sell their data to researchers in return for currency.

The basic design of the 5 main screens is shown on the right.

simplicity

The opening page is clean, with minimal clutter. There are only 3 selected information deducted for each of the main pages: patient's name, level, and page-related data.

 

gamification

As part of the motivation for patients to also log additional health data, the "27" refers to the patient's "level" in their attentiveness to do so. 

 

navigation

Related pages are accessed through the tab below (with a vertical swipe). To switch page modes, swipe horizontally.

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home button

Part of the design for this interface is to engage the user in a very tactile manner with the use of the home button to update current conditions: (1) current location for environmental data, (2) inbox of incoming health data from providers, (3) on-touch heart beat tracking, (4) latest health stock exchange, and (5) current data loaners. 

 
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THE DEVICE

As mentioned, this is currently an on-going project to also design some of the devices a patient would have at home to complement the doctor's visit with active data gathering and uploading from home. 

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Copernicus was produced in collaboration with Kathrine Spies, Vivek hv, and saif haobsh as part of the Masters in Design Engineering Collaborative Studio at harvard gsd and seas.

 

 
 
 
 
 
 
 
 
 
 
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MATRYOSHKA

a new take on the gastronomic experience

 
 

Gastronomy is the study food, ranging from the preparation of, serving of, taste of, experience of, and science of food. Since the earliest food processing of wheat into bread (ancient time), food as well as the science of food have been a part of human culture. Today top chefs, such as Ferran Adria, have taken risks through molecular gastronomy, merging both chemistry and physics at the granular/ molecular level to produce new textures, tastes, and unexepected sensations in food. We look to add to this growing food vocabulary.

 
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ingredients

Gels are composed from two interacting ingredients: polymer and cross-linker. Polymers are often confused to be gels, but they are simply the thickener part of the gel. The solidifying process comes when the cross-linker binds (in our case, ionic bond) with the polymer. For this experiment, we tested four different edible polymers to see which of them are the most voluminous: gelatin, sodium alginate, pectin, and carrageenan. 

 
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hydrogels

After selecting sodium alginate as our base polymer, we looked into its crosslinker - Calcium. The pancake mix we had used to do our first analysis of the ingredients contain some calcium, hence the gelling effect as seen on the photo above. Below is a diagram showing how the strings of alginate come together via the attraction to the calcium ions. The longer the sodium alginate is exposed to the calcium bath, the stronger the gel as the crosslinking increase in complexity. For our experiment, we later used calcium lactate (for its more mild taste than calcium chloride).

 
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willy wonka

Inspired by Willy Wonka's three-course-meal chewing gum, we experimented with creating nesting sphericals (hydrogels) with different flavors. The process consists of an alternating bath between the sodium alginate and calcium baths. In this iteration, we had blended the flavoring with the sodium alginate baths with natural ingredients: chocolate chips (inner-), pomegranate (middle), and cucumber (outer). 

 
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beyond

With the goal of creating a new culinary experience latent and our vast knowledge of edible hydrogels, we decided to pivot towards creating a unique edible experience. We successfully nested different flavors by using hydrogels to create layered textures with encapsulating appealing tastes creating an entirely new culinary experience; we call it Matryoshka. Our future work would consist in both, developing tastes that could enhance as much as possible the product and developing the experience into a multisensorial space where the room, sound, colors and smell would influence the moment.

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matryoshka was done in collaboration with berto ceballos AS PART OF THE MASTERS IN DESIGN ENGINEERING elective AT HARVARD GSD AND SEAS.

 

 
 
 
 
 
 
 
 
 
 
 
 
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blue spa

a retreat into water

 
 

Water is life. Given that most of the human body as well as the Earth's surface is made of water, can water be the treatment in this spa? A 250-foot-long shower corridor links all of the facility's amenities: housing (rest), clay bath (therapy), and pool (swim).

 
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shower corridor

A chamber dedicated for the washing of the body --an experience between hot and cold showers as one walks along the 250-foot shower. A water tank.

 
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domestic

If water is the focus, can we also rethink the domestic space and curate that around the bathing scene? Can we use the bathroom as a threshold to another space (the shower corridor)? 

 
 
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heat

The three energy sources are solar, biofuel, and ground-source heat pump. The diverse sources of fuel work in tandem with the local climate. To sustain annual energy demand, the water plenum is sized to store solar energy (with water as the medium) and to recharge ground-source heat pump.

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70% water

 
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blue spa was done in collaboration with Nish Kothari as a competition proposal for a design of a blue clay spa in latvia, 2016.

 

 
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ATÉLIER

A PERSONALIZED THERAPY TO UNLOCK YOUR CREATIVITY

 
 

Creativity can be defined as the ability to associate concepts and abstract thoughts to generate new and unique ideas. Scientifically speaking, humans have 5 brainwaves (delta, theta, alpha, beta, gamma) --each corresponding to a different state of mind. Although there is no unanimous conclusion, many researchers have found that alpha waves are associated with creativity. Researches have been able to elicit creativity by deactivating the left dorsolateral prefrontal cortex in the brain, which is also found to be associated with an increase in alpha waves. 

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the technology

Atelier combines VR technology with two technologies into one powerful mechanism. An electroencephalography (EEG) is a monitoring device which uses electrodes (placed along the scalp) to measure the voltage fluctuations resulting from ionic current within the neurons of the brain over a period of time. An electrooculography (EOG) is a recent technology that also uses electrodes (placed on the face around the eyes) to track the position of the eye based on a voltage difference from the cornea. In both cases, we were able to gain feedback data with which we use them to align and understand the effects from he visual stimuli we showed on the VR headset.

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the therapy

The goal of Atelier is to induce alpha waves through three phases. In the (1) Diagnostic phase, the individual is exposed to a variety of imagery. Atelier tracks and catalogs what the eye is seeing when the individual's alpha peaks. Given this catalog of imagery, in the (2) Optimal Alpha State, Atelier composes an environment based upon the patterns and common characteristics of the cataloged images. And finally in (3) Transition to Reality, the individual is slowly transitioned back to his/her real surrounding and the therapy session ends. This process assumes that we often are unaware of the things that spark our creativity and by approaching this through an objective lens, we can better identify that unique creative environment for each person. We hope that through multiple sessions, an individual can reach that peak alpha level state much quicker, hence increasing creative productivity.

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design of the thinking cap

The design of Atelier consists of two main components: (1) the 'brain', which houses the sensing and computing mechanisms, and (2) the stimuli, which holds the mobile VR headset. Atelier is catered to the individual, it is portable, and it is scalable as a manufactured product.

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clientele

Companies within the creative industry have already spent a lot of effort in changing the workplace environment to increase creative productivity. These efforts range from low to high capital intensiveness and from physical to non-physical manifestations. Atelier fits in this matrix as being both capital sensitive and portable. 

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ATELIER


ATELIER was produced in collaboration with VIVEK HV, JULIAN SEIGELMANN AND KENNETH SO as part of the Masters in Design Engineering Collaborative Studio at harvard gsd and seas.

 

 
 
 
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garden of displaced roots

a display of nature and its roots

 
 

In Canada, 486 invasive plant species exist, several of which were introduced during the colonization period of the 1800s for ornamental purposes — to create gardens. Ironically, it is the success of these plants in flourishing in non-native environments that now makes them a threat. Simultaneously, several of these ‘alien’ plants have resided in Canada longer than Canada’s own formation in 1867.

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invasion

Our proposal produces a living archive of 22 of the earliest invasive plant species to Canada that were intentionally introduced for their beauty. Organized within a tensile structure that allows each of these species to hover behind a transparent veil, these plants are separated from the ground below where they could pose a threat.

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in tension

As the festival continues through the summer, these plants will develop and their weight will pull them closer to the earth — the tension of the flexible portico structure aligning with the tension of the approaching species.

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a room

In plan, the proposal forms a threshold — an outdoor room for relaxation, contemplation, and admiration of these species while framing the context beyond. Our garden celebrates these species by allowing people to interact with them and re-positions them as a part of Canadian culture.

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le jardin

 
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garden of displaced roots was done in collaboration with cesar lopez and neeraj bhatia (the open workshop) as a competition proposal for the jardin de mÉtis exhibition in quebec, canada, 2013.

 

 
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Pharma 2100

AN ANALYSIS OF FUNDING ALLOCATION IN GLOBAL PHARMACEUTICAL COMPANIES

 
 

Is our country focused more on fixing our problems or on preventing our problems? 

Inspired by the way the U.S. healthcare is portrayed in Matthew Heineman and Susan Froemke’s documentary “Escape Fire,” the purpose of this study is to analyze the global pharmaceutical industry and gauge where the emphasis on funding lies between therapeutic and preventive methods in our health. The intended audience is a mix of governmental leaders, related R & D start-ups, and curious global citizens who care about the trajectory of their healthcare system.

 

The following data is based on a small sampling of the currently(2017) active pharmaceutical companies around the world. About a 10% random sample were taken from each bucket of different sized companies (measured by the number of employees). This data was obtained in 2017 through the Orbis Database, the World Bank Data, and the Bloomberg Global Health Index.


process

Since there is no existing listed category to list whether a company is focused around more therapeutic care or preventive, I have devised an initial method of parsing the data. Based on the companies' trade and product descriptions, I ran an algorithm to select and count certain keywords that are associated with either preventative or therapeutic and gave each company a label based upon those counts. In cases where there is none or a tie between the two word grouping counts, those companies are listed as 'neutral.'


 
 

CONCLUSION

Looking at the last diagram, where the companies are simply sorted by their amount of funding regardless of their base countries, we can see that toward the higher end of the spectrum, we see that there are a greater density of companies focused around preventive care. A possible extension of this study would be to do a similar spread across different years and see if it's changed throughout the years or not.


 
 

pharma 2100 was done independently as part of the masters in design engineering collaborative studio at harvard gsd and seas

 

 
 
 
 
 
 
 
 
 
 
 
 
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DATA FARM

DATA CENTERS AS THE NEW URBAN NORM

 
 

As one infrastructure becomes obsolete we must seek to convert it to better serve its contemporary context. With the rise of mobile devices and the growing wireless urban-scape, the demand for data storage will inevitably increase.  Information Week Analytics State of Storage Survey shows that data storage capacity would need to double in every two or three years. As data continues to reach greater significance, we must re-imagine their integration and role within our current urban fabric.

 
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DATA

By juxtaposing the digital with the (physical) presence of data storage, DATA FARM confronts the reality behind data “clouds.” Data centers often adversely present themselves as isolated monolithic masses with no relationship to context. A structure with no programmatic relationship to its context or its users can mute urban activity. DATA FARM reengages the desolate data center with public space and becomes the first non-profit open-source data center as public amenity

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water

Data centers use about 1.5% of all U.S. electricity consumption. Sited on San Francisco’s Mission Creek, DATA FARM sees the potential of using the Bay water to interchangeably cool the data tubes. Heated water returning from the data tubes would then be supplied to the neighboring buildings. San Francisco’s wet winters allow DATA FARM to harvest rainwater and dew within vertical tube reservoirs as additional water supply for the cooling system.

 
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the farm

In the attempt to reconnect the digital with the domestic, DATA FARM couples the virtual realm with agriculture –digitalizing and globalizing urban farming. As many of the country's freeways are being demolished, trees of columns are left behind as vital resources for urban data centers. 

Public space must now integrate social activity of all realms – where productivity and society engage. DATA FARM harvests crops, data and water as it synthesizes a space that is both physical and cloud-based. DATA FARM activates underutilized space as it restores ¬contextual relationship while preserving a layer of the city. 

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data farm was done in collaboration with cesar lopez AS a competition proposal for the removal of the i-280 in san francisco, 2013.